The Biosphere Essays - Superorganisms, Biological Systems

The Biosphere The Biosphere: The biosphere is part of the earth in which life exists. It is 20 km thick from the bottom of the ocean to the lower atmosphere. It consists of three layers: the lithosphere, which is the land on the surface of the earth; the hydrosphere, which comprises of the water on the earth as well as water vapor in the air; and the atmosphere, which is made up of the air that surrounds the earth. The living organisms in the biosphere interact and affect each other in many ways. This is called a biotic factor. Similarly, there are non-living elements that have an effect on living organisms, these are considered abiotic factors. Examples of abiotic factors are air, temperature, water, soil, light, and minerals. In a biosphere, organisms live in special groupings. For instance, a population consists of all individuals of a species living in a general area. A community is a population located in a certain area living among different species. An ecosystem is yet a larger conglomeration of a population, a community, and abiotic factors. Ecosystems can be aquatic or terrestrial. The earth's aquatic ecosystem makes up about 75% of the earth's surface. This aquatic environment is divided into marine and freshwater environments. The earth's terrestrial ecosystem is mainly made up of forests and deserts, which make up for 25% of the earth's surface. The role or function of an organism in a community is that organism's niche. An organism's niche is an area picked by that organism based on physical factors such as temperature, light, oxygen and carbon dioxide content and biological factors such as food, competition for

The Boys from Brazil Essay Example

The Boys from Brazil Essay Example The Boys from Brazil Essay The Boys from Brazil Essay The boys from Brazil| Written by Ira levin | A horrible plan is devised by former Nazi doctor Joseph Mengele. Journalist Yakov Lieberman, Jewish journalist, and Nazi hunter, discovers the plans of Mengele. His plan is to kill the fathers of the 94 boys, who are made by Joseph Mengele himself by cloning the DNA of Adolf Hitler. The two hunt each other, which comes to a climax at the home of one of the children, namely family Wheelock. Mengele’s experiment is about making clones of Adolf Hitler himself, and with this terrifying plan, Joseph Mengele would like to take over the world with clones of Hitler.My research question: Is Mengele able to dominate the world by using clones of Hitler? The question now is what does Mengele want to achieve? First, Joseph Mengele is an old Nazi-doctor, who worked in a concentration camp in Auschwitz during the second world war. Mengele wants to take over the world, making a fourth Reich, with the goal to continue the ideas of Hitler. The ideas are that the world has to be inhabited by people who do not have any deviations. This is based on the relieve that Mengele and his comrades see the German people as the purest and most beautiful race on earth, and what needs to be brought back.The way in which Mengele wants to achieve this goal is complicated. He wants to get his hands on the world, by cloning the genetic material of Adolf Hitler in 94 boys . The boys arise and live in a simulated environment, where their parents have the same jobs as Hitler’s parents did have. Mengele thinks this will increase the chance for the arise of the new Hitler. But why this way? First by using of clones, the offspring who has the same genetic characteristics as the cruel dictator.The idea is that when you have the same DNA, you are identical and to your predecessor, with the same characteristics. Second, during the reign of the Nazis, Hitler won the votes of the people by praising them. He impressed the people by telling them they w ere strong and said tha other people made the Germans worse, he created a perfect situation to come to power. Mengele wants to achieve a Fourth Reich in exactly the same way, therefore he needs a descendant of Hitler. The murders all took place under conditions and with a reason.The gruesome plan of Mengele now is to murder the fathers of the boys at the time the boys are 12 years old, because Hitler lost his father at the same age, according to Mengele this moment in Hitler’s life would have been decisive for the development of the beast in him. Lieberman discovers Mengele’s plan , and he immediately takes action. This story takes place in 1976, almost 30 years after the Second World War. After the war, Joseph Mengele fled to Brazil and adopted a different name. Because Mengele is underground, he is free to free put his plan into practice.Namely the people all over the world think that Joseph Mengele no longer exists, that the Nazi regime was ousted, and gone forever, so they thought they did not have to worry about a new rise of the Nazi regime. But will Mengele’s plan succeed? Mengele will not able to take power in this way, and I will explain why not. First, Mengele is chasing Lieberman, because Lieberman has discovered the plan of Mengele to kill a next victim, Mr. Henry Wheelock. Lieberman is doing everything to prevent this murder. But Mengele spied Liebermann and knows to visit Wheelock earlier.When Mengele is trying to persuade and cajole the son of Mr. Wheelock, by saying that he is a descendant of Hitler and he is the greatest, he gets an unexpected answer: â€Å"Who are my parents? He challenged ‘Who am I? ’ â€Å"Your father is Adolf Hitler† â€Å"You know what? † the boy said. â€Å"You are the biggest nut I have ever met! † The son of Wheelocks has been to school and had lessons in History. He knows better than to believe just a strange guy. The son did not think about the possibility of re combination techniques. If even one child says its an idiot plan, it says enough. Everyone is conviced Mengele is crazy.Second, the plan is a big gamble. It is impossible to create a cruel person like Hitler by cloning his DNA and raise the boys in slightly similar conditions. It is impossible to form a new leader. That Hitler developed such radical ideas was a combination of character, living conditions and social events, such as the economy of Germany and the First world war. It is simply impossible to replicate the conditions and therefore it will not be possible to create a new Hitler as Mengele tells himself. Mengele thinks because genetic material is present in the boys, they start acting like Hitler.But what it important is that genes do not control the mind. The boys will not get extreme ideas only by the genes. Even if they were not told what happened to their genetics and that their fathers were murdered. The main character of the book, Yakov Liebermann is a survivor of th e concentration camps and knows the infamous Joseph Mengele. He also knows what happened with twins in Auschwitz, and what role Mengele has played in it. Lieberman will do everything to stop Mengele to perform his horrible plans for he learned from history. He does everything to thwart the plans, so that history cannot repeat itself.Finally, everyone in the world has learned from the Second World War except Mengele. However, that Mengele comes up with this plan to the lines of Hitler and this strategy again, this but will never work. It is not possible to grasp the way Hitler did, namely power winning over and then make afraid. After the war there are innovations, more control and intelligence which make it all that much harder. It seems like Mengele played the role of the famous wizard Catweazle, who also suddenly comes into the modern era and has to deal with major changes.Mengele does not realize that the world has changed, that the world has learned from the horrors that have h appened. Mengele didn’t learn from the mistakes, and now he made a mistake again. Conclusion The conclusion is that in addition to DNA, there are other factors in the formation of someones personality. The plan was good, but he was too naive like to forget what happened in the past. He only thinks about his target, is concentrated too much, and lost the conspectus. Mengele is a dedicated man, but his plan would not work, that is clear.He has everything figured out, but he did not think about the opponents. The story is exciting and it draws you into the story quickly. But the points that make the story and the plan of Mengele are clearly difficult to get out. Furthermore, the book is well written with many exciting pieces that make you think, like why Mengele now need exactly the clones? Very interesting for a discussion, for instance. I must say that the story is very good, exactly what I expected of it. Sources: The boys from Brazil by Ira Levin. life of Hitler: http://nl . wikipedia. org/wiki/Adolf_Hitler.

Une Fois Que Uses the French Future, Not Subjunctive

Une Fois Que Uses the French Future, Not Subjunctive Une fois que  (once that) is a type of conjunctive phrase that does not take the subjunctive because it expresses facts, which are considered certain; this makes the subjunctive unnecessary in this case. On the other hand, there are many more conjunctive phrases that do express uncertainty and, thus, do require the subjunctive. Future Tense With These Conjunctive Phrases, Not Subjunctive The subjunctive  mood  is dedicated to expressing actions or ideas that are uncertain and subjective, such as will/wanting, emotion, doubt, possibility, necessity, judgment. Une fois que and other conjunctive phrases like it are usually followed by the  future  tense, not the subjunctive, as illustrated below: Je lachà ¨terai une fois quil arrivera.Ill buy it once he arrives.Mangeons quand il arrivera.Lets eat when he arrives.Une fois que tu aura compris, tout sera plus facile.Once youve understood, everything will seem easier. Note that there are a number of idiomatic expressions that contain the word fois, such as une fois, cette fois-ce, bien des fois and encore une fois, but they are not relevant to understanding the verb tenses that the conjunction un fois que requires. Other Conjunctive Phrases Like Une Fois Que Here are more conjunctions that  do not  take the subjunctive because they express facts, which are considered certain and, thus, contrary to the subjectivity of the subjunctive: ainsi que   just as, so asalors que  Ã‚  while, whereasaprà ¨s que**  Ã‚  after, whenaussità ´t que**  Ã‚  as soon ascar  Ã‚  since, becauseen mà ªme temps que  Ã‚  at the same time thatdepuis que  Ã‚  sincedà ¨s que**  Ã‚  as soon as, immediatelylorsque**  Ã‚  whenparce que  Ã‚  becausependant que  Ã‚  whileplutà ´t que  Ã‚  instead of, rather thanpuisque  Ã‚  since, asquand**  Ã‚  whentandis que  Ã‚  while, whereasune fois que**  Ã‚  once **These conjunctions would be followed by the  future tense  in French, while in English we use the present tense.

Book Review Essay Example | Topics and Well Written Essays - 1250 words - 6

Book Review - Essay Example motive behind a criminal assault, and how the criminals are rescued and supported by the statute of the law and provisions of the jurisprudence, which turn the judicial trial into a highly complex phenomenon. While elaborating the court trial of a murder case, the novel discusses and explores the manners, under which the professionals related to the field of law and justice, perform their activities, forgetting about legal ethics they are bound to observe in while performing their duties and obligations. The novel also describes the problems faced by the accused, defendants and convicts, and projects the role of lawyers and judges during various phases of the court trial. The author points out the flaws and weaknesses the contemporary justice system that it contains in its fold, prevailing in the American society. The story of the novel revolves round the protagonist Paul Biegler, a small town lawyer, who takes the case of the alleged murderer Lt. Frederick Manion. Lt. Manion has murdered a bar owner named Barney Quill, and takes the plea that he had caught Quill red-handed while raping his wife Laura Manion. Since the rape of his wife is quite an intolerable thing for a husband, it also compelled him commit the murder of the rapist; hence, Manion pleads that his offence serves as an immediate reaction to the rape of his wife. Laura also supports her husband in his plea that Quill had raped her, though the medico-legal report finds no clue of any rape with Laura at all. During the trial, the lawyer Mr. Biegler collects sufficient evidences of the murder incident, in order to set his client free from the murder case, but he explores the very fact that Laura is not the woman of strong character, and was indulged in sexual relationships with many men including the murdered bar owner Quill. Hence , her husband has killed Barney Quill out of sheer feelings of jealousy and resentment he maintains for Quill, the paramour of his wife. Since there are no solid grounds on

Comparative Legal System Essay Example | Topics and Well Written Essays - 1000 words - 1

Comparative Legal System - Essay Example Promissory estoppel brings principles of fairness and equity into the equation for the first time and lowers the bar to allow more informal arrangements to have force of law. While it would an overstatement to say that estoppel undermines common law rules of consideration—because courts have discretion whether to apply the doctrine or not—it certainly alters the significance of consideration in contract-making. The doctrine of promissory estoppel prevents a party in a legal relationship from withdrawing a promise made to another party if the latter has relied on that promise and acted upon it to his or her detriment. This doctrine was resurrected after many decades in obscurity by Lord Denning in Central London Property Trust Ltd v. High Trees House Ltd [1947] KB 130. In this case High Trees House leased a block of flats for a rate  £2500 per year from Central London Property Trust. Because of the war and the German bombing of London it was very hard to find people to live in the flats and High Trees was losing a lot of money. In 1940, the parties made an agreement in writing to reduce the rent by half. The period of time that this reduction was to last, however, was not clear. Over the next five years, High Trees paid the reduced rate. Then, in 1945, the flats were more popular and full again. There was a disagreement between the two parties and Central London sued for payment of the fu ll rental costs. In his ruling, Lord Denning wrote: I am satisfied that a promise such as that to which I have referred is binding and the only question remaining for my consideration is the scope of the promise in the present case. I am satisfied on all the evidence that the promise here was that the ground rent should be reduced to 1,250l. a year as a temporary expedient while the block of flats was not fully, or substantially fully let, owing to the conditions prevailing . . . I am satisfied that the promise was understood by all parties only to apply under the

Academy Award for Best Actor and Legal Issues Essay Example for Free

Academy Award for Best Actor and Legal Issues Essay

A Common But Separate Goal For Power :: History Native Americans Essays

A Common But Separate Goal For Power missing works cited In the latter half of the 19th century, there were many cultures striving for control of the American Southwest, mainly the southern half of present-day Arizona, which was purchased by the United States in 1853. American Indian tribes, such as the Apaches, had original claims to the land that were overtaken by the Mexican invasion of missions at Tubac and Tucson, which were later overrun with American settlers and soldiers laying their claims to this new American territory. These struggles for power created tension between all of the peoples of southern Arizona, originally between the Apache tribes and Mexicans, and then morphing into a trifecta of clashes between all of the races for control of the land. When the Spanish began colonizing the northern area of Mexico, they were confronted with a problem-what were they to do with the native peoples? Jesuit priests attempted to reform some of the mesa tribes in present-day Arizona and New Mexico, but encountered a population uninterested in Christianity and comfortable with their nomadic ways. There were missions of this type in the towns of Tucson and Tubac, which were abandoned by the missionaries and taken over by the Hispanic population, which in its early days, numbered around five hundred. The Hispanic settlements were centralized around military establishments, mostly because of a fear of the native people, the Pinal Apaches, who were characterized by their raids for horses, food, and other staples. In 1821, Mexico achieved independence from Spain, and the military outposts were completely under Hispanic control; they no longer were under Spanish rule and could make military decisions about the tribes on their own. With this newfound independence, the Mexicans began dealing in peace treaties with the local tribes. On March 5, 1837, the military government in Tucson signed a document with their "perennial enemies, the Pinal Apaches" (Officer, 137), which transported the tribe to the barren Arivaipa Creek, and contained a stipulation that the Apaches could only travel through the Tucson stronghold with the permission of the commander. Placing the Indians on reservations, which created land claims that were their own, seemed to have no reciprocal effect with the Mexicans. Although the tribes were not allowed to trespass on Mexican territory, the Mexicans did not care who trod on the newly claimed tribal lands. According to James E. Officer, in his book Hispanic Arizona, 1356-1856, ".

Day Light Factor in Office Spaces

DAY LIGHT FACTOR IN OFFICE SPACESBackground:Day illuming admitted into constructing through â€Å"holes† in external cloth ( Windowss, roof visible radiations, etc. ) which in adverse climes by and large incorporate glass or an alternate transparent stuff to heat loss. The energy efficiency and sustainability became progressively of import issues in the field of architecture. Often day-lighting is recognised as a cardinal scheme in cut downing the energy ingestion by cut downing sum of electrical lighting in a edifice. And even, twenty-four hours lighting is besides known for holding its positive effects on human wellness and productiveness. So by all these, the energy criterions and green edifice evaluation systems have strongly recommended that interior decorators incorporate twenty-four hours illuming schemes into edifice design. However, this recommendation is often ignored due to the complexness in following twenty-four hours illuming design and due to the ocular uncomfortableness caused by the inordinate sunshine incursions and Sun blaze. Many yearss illuming analysis have been developed and used by pupils, interior decorators and advisers. From physical modeling to computing machine based simulations, analysis methods are used to foretell the public presentation of twenty-four hours illuming systems before a edifice is completed.by utilizing all these methods, we can mensurate or cipher assorted values like illumination degrees. However it is non easy to acquire accurate predictable or frequently even fiting values between techniques due to variance in variables and besides due to the sky choices. Introduction: Day lighting is a extremely cost-efficient agencies of cut downing the energy for electrical lighting and chilling. But architecture instruction frequently reduces the facet of twenty-four hours illuming to attention-getting effects on frontages and barely discusses its possible effects – non merely on cost, but wellness, wellbeing and energy. The light affairs will research the frequently undiscovered facets of twenty-four hours lighting and present cardinal schemes for you to break integrated twenty-four hours illuming into design: from optimising constructing orientations to taking interior surface qualities that achieve the right coefficient of reflection. These stairss can significantly cut down your investing every bit good as operating costs. And while these schemes will surely catch the involvement of economically oriented clients, you will shortly detect that twenty-four hours illuming can make so much more. The chief survey of this paper is to understand the kineticss of twenty-four hours light factor in relation to edifice infinites and to understand twenty-four hours visible radiation as a design component. The development and effects of twenty-four hours light and its factor in office edifices. Abstractions: Lighting degrees in a edifice infinite are typically measured in foot-candles or lx. Light from electrical visible radiations is reasonably changeless so exact degrees of lighting can be obtained through the choice and layout of light fixtures. When it comes to twenty-four hours lighting, the light beginning is the sky vault which is outside the edifice s it becomes necessary to put in glassy gaps to acknowledge equal daytime to run into infinite demands. Planing for exact degrees of visible radiation from twenty-four hours visible radiation is hard since the light beginning is invariably altering depending on clip of twenty-four hours and conditions conditions. Alternatively of ciphering exact degrees of visible radiation ( foot tapers or lx ) in a given infinite from daytime, a daylight factor was created to mensurate comparative visible radiation degrees. Day light factor: The construct of daylight factor ( DF ) was developed in the United Kingdom in the early 20Thursdaycentury. Day light factors are used in architecture and edifice design in order to measure the internal natural lighting degrees. Daylight factor is defined as the ratio of the internal illumination at a point in a edifice to the unshaded, external horizontal illumination under a CIE cloudiness sky ( Moon and Spencer 1942 ) . The chief connotation of utilizing this type of ratios instead than absolute values, was to avoid the trouble of holding frequent and frequently terrible fluctuations in the strength of twenty-four hours illuming ( Waldram 1909 ) . In the beginning, sky factors were used to cipher the twenty-four hours light illumination from the sky dome to a peculiar point in the edifice. Later on, the sky factor was evolved into the daylight factor, as the visible radiation reflected from external obstructors, visible radiation from the glazing and internal refelectances were added every bit good ( Waldram 1950 ) . Day light factor is the ratio between indoor illumination and out-of-door illumination. It can be measured for a specific point or for an norm of a infinite. The undermentioned expression shows how to cipher twenty-four hours light factor from illumination degrees. DF = 100 * Tocopherolin/ Tocopherolext Where DF= twenty-four hours light factor Tocopherolin: illumination due to twenty-four hours illuming on the indoor working topographic point Tocopherolext: illumination out-of-doorss on a unobstructed horizontal plane. Daylight reading at a mention point in a room can be made up of three constituents: Sky constituent– the visible radiation received straight from the sky Externally reflected constituent– the visible radiation received after contemplation from the land, edifice or other external surface and Internally reflected constituent– the visible radiation received after being reflected from the surfaces inside a edifice. All these three constituents need to be accounted for to find the twenty-four hours light factor. Day illuming factor was used to obtain the lower limit lighting demands, but it does non gives the thought of good twenty-four hours illuming. Even though the twenty-four hours illuming factor was used most widely to mensurate twenty-four hours lighting and for bulk of practicians, the consideration of twenty-four hours light Begins and terminals with twenty-four hours light factor ( Nabil and Mardaljevic 2005 ) . For the last 50 old ages, this design pattern has mostly remained undisputed with a few noteworthy exclusions ( Kendrick and Skinner 1980 ; Tregenza 1980 ) . So it is widely accepted, quantitative public presentation step for twenty-four hours lighting. Day light factor has besides got different back uping qualities for the design use in the edifices. Depending on the edifice designs, the twenty-four hours light factors have the capacity to act upon the design picks. Coming to the different facets where the twenty-four hours light factor can impact the edifice design were similar, the geometry of the edifice, environing landscapes and environing edifices. Not merely the external belongingss, due to the twenty-four hours light factor, there a considerable affects in the inside of the edifices besides. They are like the coloring material, coefficient of reflection, transmission, diffuseness, secularity, etc. , have an impact on the twenty-four hours light factor. In general, the daylight factor steps are intuitive and easy to pass on. To cipher the twenty-four hours light factor, there are a figure of methods bing. They range from simple computations to the BRE split flux method to progress computation techniques based on radiosity ( Lighting Analysts Inc. 2006 ) , Lumen Designer ( Light Technologies Inc. 2006 ) and/or Raytracing ( Ward and Shakesphere 1998 ) . Using glow, for any geometry of edifice and any type of stuff, we can cipher the twenty-four hours light factor. The twenty-four hours light factor can besides hold the influence on twenty-four hours light planing in the peculiar edifices. Some signifier giving characteristics, which are by and large accompanied with the good twenty-four hours visible radiation, were influenced. Like the high window- caput highs, high ceiling coefficient of reflection, big frontages, wall coatings, narrow floor programs, high transmission glazing, sky light gaps, etc. If we go for the â€Å"the more the better† attack, the maximal twenty-four hours light perforating into the edifice in a to the full glazed edifice will be more. We can hold the adequate twenty-four hours lighting, but frequently those constructing exhibit comfort and energy related jobs. By and large these are conditions which we see in commercial edifices. There are few restrictions of the twenty-four hours light steps. They are ; Design recommendation based on the twenty-four hours light factor will be same for all types of facade orientations. Day light factor for all types of edifice locations will be same. Daylight factor does non see the season, clip of the twenty-four hours, variable sky conditions. Actually this bears really of import effects. Day light factor can non assist to forestall the blaze schemes for different facade orientations, even though the job of blaze is most outstanding. Day light factor in office infinites: A twenty-four hours light factor of 2 is a typical degree one would desire to accomplish for an office infinite. It assumes that 2 % of the entire visible radiation that is outside the edifice ends up on the working plane or desktop. Assuming an mean out-of-door illumination of 2500 pes tapers and a twenty-four hours light factor of 2 % the indoor illumination on the desktop would be 50 foot tapers. 2 % ten 2500 pes tapers = 50 pes tapers Other typical twenty-four hours light factors for assorted infinites are:Assorted infinitesDay light factorDiscussion groups14Residential life room1Residential kitchen2Office – item work4Office – outlining6Office – corridors0.5Schools – schoolrooms2Schools – art suites4Hospitals – wards1Hospitals – waiting suites2Sports installations2Warehouse – majority storage0.5Warehouse – medium size storage1Warehouse – little point storage2Calculating a twenty-four hours light factor based on the edifice design includes window/skylight sizes, overhangs/light shelves, glass types, and exterior/ interior refelectances can go really complex. A simple regulation of pollex to come close the twenty-four hours light factor for twenty-four hours lit infinites utilizing perpendicular Windowss is D = 0.1 tens PG Where Calciferol= daytime factor PG= per centum of glass to floor country. For illustration, a 1000sft office infinite has 200sft of Windowss, and so the twenty-four hours light factor will be DF = 0.1 x ( 200/1000 ) = .02 or 2 % The twenty-four hours light factor degrees can be loosely classified into three classs:Under 2Between 2 and 5Over 5Not adequately illumeAdequately litWell litRoom looks glooming under twenty-four hours light entirelyArtificial lighting may be used partiallyArtificial illuming by and large non required except at morning and twilightArtificial lighting will be requiredBut blaze and solar addition may do jobsDaylight factor contours: The twenty-four hours light factor inside a room will change harmonizing to place. Day light factors are frequently given as working plane contours. Tall windows supply deeper twenty-four hours light incursion, while multiple Windowss provide more even twenty-four hours light distribution. Appraisal of twenty-four hours light factors: The twenty-four hours light factor inside an bing edifice can be measured straight utilizing a photometer which gives a direct reading of the twenty-four hours light factor. In the design phase, twenty-four hours light factors can be predicted utilizing:Design tabular arraies ;Waldram diagram ;Computer plans ;Scale theoretical accounts ;Day light factor protractors.Day light factor analysis: In malice of the twenty-four hours light factor popularity as an index of twenty-four hours light public presentations, daylight factor has some serious restrictions.Day light factor doesn’t take consideration, the location of the edifice.DF can non stand for the alteration in illumination degrees indoors, due to the temporal fluctuations of the sky luminosity.The orientation of the frontage of the edifice has no consequence in twenty-four hours light computation.Da Y light factor doesn’t buttocks blaze caused by the twenty-four hours lighting.Glare is a major issue necessitating careful considerations during the design phase.Day light factor is non specific about the clime.LITERATURE REVIEW: Light is every bit much a â€Å"material† for edifice as the rocks, bricks, and other constituents used in building ; for, although there would be no wall without its structural constituents, the wall has no existent being for us unless it corresponds to a animal feeling, gained with our eyes and substantiated with our heads.Derek PhillipsNatural visible radiation is recognized and varied for the qualities that it offers. Man’s faith, wellness and civilization has immense positive impact due to twenty-four hours lighting, since ages. The demand for natural light in insides has been investigated by illuming applied scientists, doctors and psychologists for several centuries, and therefore had a profound consequence on twenty-four hours lighting, the scientific discipline of natural light. Research on the effects of the want of visible radiation, the demand for position and effects on biological procedures have confirmed the factual bases for this demand. Features of Natural Light: Natural visible radiation that enters any room consists of two basic parts, viz. direct sunshine ( sunstroke ) and diffused fanlight.Roger Neal Goldstein in his Research on Natural Light in Architectural Designprovinces that by carefully pointing a window or a roof-light one can let for the incursion of both the elements of natural visible radiation, if desired. Harmonizing toMillet ( 1996 ) ,the aglow consequence of all light beginnings depends on four factors:The Source ( its strength, its directional features, its coloring material )The Geometry ( its relationship between the beginning and the receiving system or having surface )Different Surfaces inside the Space ( The surfaces that receive and modify visible radiation, going secondary visible radiation beginnings in themselves by reflecting, airting and coloring visible radiation ; and the individual who views the beginning and lighted surfaces as he or she moves about. )Motion and Visual Perception of the Observer.He besides declares that by detecting how light behaves, we can work with it to uncover architecture. THE Beginning: Harmonizing to Millet ( 1996 ) , â€Å"Each peculiar topographic point has its visible radiation. Light showing topographic point encompasses two distinguishable facets:The topographic point itself, its physical characteristic and features that determine how it differs at any given minute from any other topographic point andThe peculiar set of alterations that take topographic point within it over clip, making typical forms of diurnal and seasonal alterations.Sukhtej Singh Gill in his paper on the Study of the Characteristics of Natural Light in Selected Buildings by Le Corbusier, Louis. I.Kahn and Tadao Ando references that â€Å"these significances change the manner light interacts with the built environment.† â€Å" The window is a major constituent of the spacial record between interior and outside. With its size relation to the solid wall, it determines the way in which attending is focused. With its inside informations, it defines the passage between the room and landscape. † ( Millet 1996, p. 96 ) It is in this passage of natural visible radiation from exterior to the inside that a infinite is transformed and its character is defined. Intensity: The strength of visible radiation is judged based on the perceptual experience of the objects it tends to foreground. Lam ( 1977 ) states that â€Å" Percepts of the aglow environment ever include an affectional constituent an appraising or emotional response to the sensed province of personal businesss. † Opinions in a infinite, such as visible radiation or dark, bright or glooming, interesting or dull, sparkle or blaze, depend on whether or non the aglow environment meets our outlooks and satisfies our demands for ocular information by stressing what we want or need to see instead than the existent luminosity degrees in a infinite. Directional Feature: The directional features of natural visible radiation are defined out of the motion of the Sun across the sky. The deepness shadows and the contrast between two surfaces are born out of the directional features of the beginning of natural visible radiation one time interrupted by a physical plane or boundary. These are associated with the character of a infinite and aid to pull a meaningful relation with the beginning at all times of a twenty-four hours, month or season of a twelvemonth. Tannizaki ( 1997 ) describes that the beauty of a Nipponese room depends on a fluctuation of shadows, heavy shadows against light shadows. Light is an unerasable portion of our experience of life. It helps us understand the overall deepness of the scene by showcasing the difference between the bright and the dark. Color: The usage of colour can change the perceptual experience of a infinite. Lighter colourss reflect more light and the room appears to be of a greater size. When painted with dark colourss that tend to absorb most of the light falling on the surface, the same room appears much smaller in size. The visible radiation that filters through a coloured glass can alter the chromaticity of the base colour of the surface on which it falls. Apart from this, natural visible radiation alterations in colour as the instance is when comparing the forenoon, afternoon or flushing visible radiation from the Sun, but this alteration is compensated by our outlook in the manner we perceive the same infinite at different times of a twenty-four hours. Harmonizing to Philips ( 2004 ) , â€Å" the experience of natural colour, for whilst the physical colour of our universe as experienced in daylight changes from twilight to click, the alterations are portion of our experience ; we compensate automatically, a white wall appears a white wall even if in the eventide it may be warmer, or is coloured by sunshine, or altered by cloud formations†¦ . it is the colour we regard as natural † . THE GEOMETRY: Light is non perceptible without signifier and frailty versa says Sukhtej Singh Gill in his paper â€Å" The Study of Characteristics of Natural Light in Selected Buildings Designed by Le Corbusier, Louis. I. Kahn and Tadao Ando † . He quotes Millet ‘s statements that â€Å" Natural visible radiation that renders signifier seeable is ever altering, but we perceive the signifier as stable due to out perceptual procedure†¦ . Shadows aid in the perceptual experience of the signifier and the spacial deepness†¦ Extreme brightness or darkness can fade out a signifier as they tend to film over the inside informations and befog the soundness of a stuff†¦ Silhouetting is one of the ways in which visible radiation from the roof glazing can uncover the construction. † Importance: Research identified benefits of daytime, sunshine every bit good as position for people’s wellness and Wellbeing.Peoples believe that working under natural daytime is better for wellness and wellbeing than electric Light( Veitch et al. , 1993/1996 )Less asthenopia( Cowling et al. , 1990 ) ,higher productiveness( Visher 1989 ) ,more effectual acquisition( Heshong et al 1999 )Daylight is better for psychological comfort, for office visual aspect and pleasantness, for general wellness, for ocular wellness, and for color visual aspect of people and trappingss( Heerwagen et al.,1986 )Having a window, or holding entree to daylight, improves satisfaction with illuming( Veitch et al.,2003 )In deep on the job infinites people have a strong penchant for being near the Windowss( Christoffersenet al. , 1999 )Mentions:A Study of the Natural Light In Selected Buildings Designed by Le Corbusier, Louis. I. Kahn and Tadao Ando by Sukhtej Singh Gill ; 2006Natural Light in Architectural Design: Component and Determinant by Roger Neal Goldstein ; MIT ;1976Day light benefits in wellness attention edifices , by prof. DTG Strong.hypertext transfer protocol: //www.arefianatelier.com/interior-light-effects-on-human-mood-and-social-behaviour.htmlNatural light presentation, by kjeld johnso.Health and Light, by John Nash 1973.Daylighting controls (hypertext transfer protocol: //windows.lbl.gov/comm_perf/daylight/esl321.html)hypertext transfer protocol ; //home.wlv.ac.uk/~in6840/Daylightfactor.htmdaylight factor versusdaylihgt handiness in computer-based daylihgting simulations by Karen Kensek and Jae Yong Suk1|Page

Economic system Essay

In our present time , there are many speculation spoken by different people, regarding the implementation of the new Curriculum , K to 12. There are many question still hanging on ,Is it the solution to our poverty , underemployment and unemployment.? Does K to 12 curriculum basically enhance our students knowledge? Does this curriculum eliminates at lessen poverty in our country. Our DepEd Secretary, Bro. Armin A. Luistro, FSC, starting whenhe became an Education Secretary, He is trying to change the traditional way of teaching, trying to resolve different problem, control and motivates the teachers, students , parents and government officials to cooperate in order to help our students to be competitive enough. In his Declaration of State of Philippine Education, he emphasize the trend and issues in Education System in: a. Philippine Education is under in Chronic Illness b. Regression in Access c. Bureaucratic Melee d. Appropriations allotted I n Education e. On the need of Reform f. The Join Forces of 3 Agencies in Government. The DOLE, TESDA, and CHED. g. The Idea of EFA 2015 and Millennium Development Goals, 1. The Philippine Education is under in chronic illness He said that our country is under the chronic illness , it is because the system in our country is suffering from different crisis, not only come from economic problem, but most probably in political system. In this country, Our governmentalways change our curriculum from time to time, for them we must faced the reality and we must adapt the changes but the  mere fact is , they don’t even support that particular in terms of facilities, tools, books and other school materials, that’s why our curriculum is only a Trial-Error set up. Inother aspects the reason why we still in the last in terms of Education it is because of corruption and political problems. 2. Regression in Access The main problem in our country is the lengthof Basic Education in Elementary and Secondary, this is only 10 years, unlike to other country which is 12 years. This is the reason why Filipino did not get the appropriate job on other country, 3. Bureaucratic Melee In this case, we can say that the cultural aspects of the society are the big problem. Despite of financial and economic crisis happen in our country, they questioned some people or other non –government organizations if school receive donations, For them it is a form of corruption ,but the reality is some government officials is the one who is the corrupt one. We must face the reality that government funds is not sufficient to support different schools that’s why we need support from other agencies. 4. Appropriations for Education Department of Budget and Management or DBM allocatesfund for a certain school whether it has autonomy or not. These budgets were divided depends on the numbers of enrollees per school. Government also allocates fund for the Teachers tools, equipments, lesson plan, and classrecords , salaries and bonuses and incentives. Education is free, according to the Deped Memorandum. They allocated fundsfor Education but the big problem is, the higher ranking person did not distributed that funds to different divisions, instead of they corrupt that funds. That’s why DepEdis number2 in Corruption 5. On the Need for Reform Our Educationsystem needs a reformation, in order to make our graduates be competitive enough. Reform will start on the top down to the lower ranking position. Reformation willlead us tothe better world, better society and better graduates. Reformation not only in Educational system but also in the society, most especially in our government presently. Reform in policies, avoid corruption, because new ideas, new curriculum, and helpus tobuild mind of a graduates professionally growth.

To what extent does the ending ensure a sense of closure to the film Essays

To what extent does the ending ensure a sense of closure to the film Essays To what extent does the ending ensure a sense of closure to the film Essay To what extent does the ending ensure a sense of closure to the film Essay Director Paul Haggis successful debut Crash (2005) tells the individual stories of a seemingly unrelated group of individuals in the story space of two days; it immediately begins with the result of a car crash, but the story stems from the shift back in time to the day before the incident. By doing this Crash skilfully and deliberately reaches beyond the conventions of narrative film, as it does not begin with a balanced equilibrium; it is this and numerous stylistic effects that makes for an increased sense of closure as each interweaving story is summed up individually yet also in the wider context of the film and the issues it presents.In this short period of time in fast paced Los Angeles and through the chance encounters of the characters- for example, when a racist police officer is forced to save the life of a white woman whom he had previously black mailed and violated out of racial discrimination- the films underlying morals and themes come to the fore. As the film takes th e audience slightly back in time, we engage with the almost parallel lives of the characters and their problems encountered out of bigotry and fear, and it is as these interweaving stories become connected that the pace of the film slows down and closure hinted at.Through plot- which is defined by Bordwell and Thompson as all the events that are directly presented to the viewer in a narrative film1- for example in its parallelisms and through stylistic effects, particularly in the closing five minutes which I will focus on, Crash successfully brings its narrative to a subdued close and reveals the underlying key themes. The ending is satisfying to the viewer in that individual stories are resolved- not necessarily within themselves but in the wider context of the film- thus ending with an emphatic moral note as opposed to a stable situation and happy ending.This closing five minute sequence offers insight into the lives of the characters once they have crashed into each other one wa y or another, as the camera watches over them individually at a distance. Through style- notably non-diegetic sound which plays throughout the whole sequence and ties together the various lives of the characters- the audience is presented movingly with each of the characters reflections in hindsight to their actions and their experiences. The audience is thus encouraged to identify with characters and understand the story and its underlying messages.The sequence begins with the story of Jean Cabot (Sandra Bullock): the audience sees her embracing her house-keeper as she says: do you know what? Youre the best friend Ive got. This marks her poignant revelation of her unfulfilled and unhappy life, which had been for so long masked by lavish lifestyle and her career-obsessed husband. Complete focus is on her character as a close up of her face in the centre of the frame begins the sequence; as the slow non-diegetic sound slowly builds up, the camera slowly tracks into her face, allowing for extreme close up. The combination of the reflecting music, the slow tracking of the camera and the intimate close up of her face gently reinforces her emotion and signifies, almost dramatically the turning-point in her life. As the close up focuses on her sad emotional state, the touching music (In the deep, by Kathleen York)- which happens to eventually cosmically relate all the intertwining stories- begins on the line thought you had all the answers. This serves again to emphasise her disillusionment with life, resulting in this emotive realisation, thus in many ways closure to her character. Mise-en-scene here is working as part of the plot as it signifies and mostly heightens the significant realization of this named character.After a relatively long take, the camera jump cuts to the story of another character and an establishing shot of Officer Tom Hansen (Ryan Phillipe) burning the car -where out of subconscious racial discrimination he fatally shot an innocent teenager ( Larenz Tate). We see him at a distance angrily throwing rubble onto the fire out of grief; the distance the camera allows for emphasises his helpless state at a significant time in the story, conveying the underlying consequences of his racial prejudice. Again by using an establishing shot here the audience now has a sense of time and space, as they have already been introduced to this storyline through plot.The jump shot might usually serve to create a disjointed or abrupt change in plot, yet through continuation of the same slow non-diegetic sound- which completely takes over synchronous sound- it almost seems to act as reflection, to sum up the story line rather than to expand on it. A balanced, almost symmetrical frame follows as the camera cuts to a medium close up of Officer Tom Hansen now in the middle of it. As the camera remains static however he walks slowly forward and to the right of the frame; this allows the balance to be disrupted, thus subtly emphasises his vulnerabi lity in the frame.2 This relates to his weakness in the story, as his position in the frame becomes vulnerable at a time in the story when his previous position of power and success has been substituted for a position of regret, reflection and shame. By showing his character in this way, the tone of the scene is extremely toned-down and as the story allows for the characters reflection, so the mood and mise-en-scene allows for audience reflection of racial prejudice.As the Officer walks forward in a few more frames of the shot, it is also noteworthy to point out the objective camera angle. By employing this camera angle the audience happens to look in as opposed to involving themselves in the action. This distances the audience somewhat and forces them to empathise with this character.Lighting works together to connote sadness; the predominant darkness and orange filter used suggests that all the light comes from the background fire, thus selectively lighting parts of the characters face and not much else. This slightly dappled light falling onto the characters face remains even throughout this shot and so slight changes in his harrowing expression of emotion are easily registered by the viewer; this again serves to emphasize his emotional state over actions or setting. And so the almost sombre tone of the scene is intensified. Through subdued lighting his emotional state is heightened to the audience who can now build an identification with him in his sadness. The plot merely shows the Officer walking away from the scene of the crime, yet through non-diegetic sound- connoting sadness and a poignant atmosphere- , through intimate close ups of his face and also through shallow depth of field created- by selectively focusing entirely on his face- the plot infers successfully his feeling of remorse and realisation.As the non-diegetic music and the calm paced shot length continues into the next sequence- as it were into other final accounts of the characters stori es- the audience is able to relate the characters, thus identify feeling of sadness and a sense of closure in all the accounts. After several shots of these various characters in their states of reflection in the closing five minutes of the plot the music begins to slow to a close; as it does this the audience sees Anthony (Ludacris) letting the Chinese immigrants go, after previously agreeing to sell them. This part in the plot signifies his revelation in looking beyond money for the greater cause. Yet, it is at this exact point of the music ending that we hear him say to one of the immigrants: dopey fucking Chinaman. Here- mainly through the combining of sound and plot- the films message and story is presented effectively; that moving at the speed of life even after having crashed into one another the issue of prejudice will always haunt in the world todaybla bla bla.In the closing sequence of the plot the audience is again encouraged to relate the different characters, thus bring ing messages of the film to the fore; it shows that our actions although they may seem insignificant, actually relate to the wider context and serve to affect others in undesirable ways. This is also possible through the rhythmic relationship of the shots in the sequence; although this sequence employs numerous jump shots to signify a change in sub-plot, through continuity editing and continuation of the non-diegetic sound, the viewer is not left disorientated, but instead is able to follow the interweaving plot. Through continuity editing- particularly continuation of asynchronous music and rhythmic relations of shot length in this sequence- the individual stories of the various characters come together and form the wider narrative of the film. By doing this the audience is able to understand the plot in its successful attempt to relate each individual to its wider context, and show the often subconscious effects of racism on society as a whole.As the sequence comes to an end and a s the individual stories of the characters are given room for contemplation and reflection by the characters and the viewer, the mood of the scene becomes much more upbeat; with jerky guitar riffs contrasting with the previous sombre piano sound. By doing this the viewer can at this point look beyond the emotional stories of the individual characters and think more closely about the messages presented in the film. It allows a less serious light to be shone onto the subject, but at the same time leaves it in our minds for contemplation, as the scene closes with a car crash resulting in one of the drivers saying what the hell is wrong with you people?As the various drivers are left on the road fighting with each other, the camera slowly pans out of the action, leaving a birds- eye shot angle looking down on it. This remarkable angle combined with lively yet reflective music- as it reads these little black clouds keep walking round me- humorously presents the audience with a finality t o the story, yet keeps the actual issues unresolved. It realistically produces closure to the plot and story, as it has successfully addressed various issues so that they are understood by the audience; yet it is presented as an ongoing problem- as the narrative goes full-circle- thus leaving the audience with room for reflection themselves.By looking at the closing five minutes of Crash, through style and plot the story and essential issues of post 9/11 America are presented unflinchingly to the audience. To reveal the wider issues in the story, Crash has effectively depicted the every day life of a diverse group of characters, who as it turns out have more in common with each other than they initially thought. By the interaction of mainly sound and editing with the plot, Paul Haggis story is told with force, allowing the audience to contemplate and reflect on various issues- namely racial prejudice in the world today- along with the narrative characters.

Characters and Themes in Richard Wrights Black Boy

The black novel and the theme novel Black Boy is the autobiographical record of his life Richard Wright, starting with his earliest memory, leaving the north at the age of 19. Among the black boys, Light talked about unsteady family life and returned from Natchez, Michigan, to Memphis, Tennessee, to Jackson, Michigan, and then back to Arkansas. Mississippi, and finally back to Memphis, he prepared for it. He eventually moved to Chicago after all. Light black boy racist The theme of autobiographical black boy in Richard Wright is racial discrimination. Light grew up in the south; south of Jim Crow at the beginning of the 20th century. Since very young, Richard Wright knew two games of black and white. But he never understood the relationship between the two games. In fact, he did not understand, but he has made a hard effort to bother him many times. In Memphis, Wright reluctantly took on the role of a social boys, a black boy. Richard Wright's black boys explored the theme of starvat ion, education, ethnic identity, and self-development in the south of the United States in the early 20th century. As the novel goes on, the reader follows the development of light from a somewhat sinister child to a successful self-taught person who uses education to combat oppression and prejudice he experienced when he was young. His growth and success often depends on his educational opportunities; he learns and fulfills the needs of his knowledge when he is allowed to continue his schooling education for years uninterrupted Because you can. . Unfortunately, the education system disappointed him, the light was forced to teach himself, and formed a unique world view around him. As Wright's adulthood is intertwined with his education and self-development, the black boy can be described as an educational growth novel.

Quiz Essay Example | Topics and Well Written Essays - 250 words - 6

Quiz - Essay Example Today, we are connected to hundreds of friends in the online community, but we are oblivious of the person sitting next to us, who may be our parent, our spouse, our child, our neighbor, or a relative. We share pictures and ideas with hundreds of people online, but we give a damn about what the person feels or think who is sitting in the same room as ours. People have lost the sense of belonging at all. Relations and friendships have converted into their digital forms, and we have stopped interacting with even the closest of our relatives by being physically absent to them. We are aware of each and every happening in their lives, but we have no time in arranging a meeting with them and having a gossip face-to-face. People convey their feelings in the digital format- feelings that they could never have conveyed in person; however, this conveyance of feelings lacks the emotional touch of understanding and compassion. The basic essence of social interaction is talking, which is becoming void even today, and disappear totally in some years to come. People have become narcissistic, because they love only their profiles, strive to put up great display pictures, try to fake what is actually not true, and this has made them oblivious to other people’s feelings and emotions. Such is the hazard of social media which is intruding our lives more and more with every passing